– if no one has ever told you, (via pinterest)
The big question: Did Netflix hit Extraordinary Attorney Woo improve the employment rate of any autistic population?
In Korea, the rate increased by 1.3% from 2022 to 2023, against an increase of 0.7% for the full population of the country, although there may be other factors at work.
The sources are indicated in the alt text.
This is a tale of three time-defying knights, but we shall start with humdrum glory.
16 years felt like half an eternity within the high walls of a mansion with seemingly as many rooms as there were visible stars in the night sky. Is there a better half elsewhere? Ilera often pondered. Born to parents who were slaves themselves in this aristocratic household, she spent her days hauling up trash, scrubbing off grime and wringing wet rags while other slave girls giggled among themselves when they could, sharing gossip about its master, who was always hanging out with a Somaku game buddy who practically lived in a house of ill repute. Hear no evil. That was the natural gift of her complete hearing loss. Why not finish the work quickly so that all of us could have time to teach ourselves to read and live second lives in the worlds of books, where we may travel anywhere we want?
Determined to dissuade her husband from spending time with his friend anyway, her mistress was busy mastering the board game herself. Fascinated by the strategy plays, Ilera would watch the piece patterns shift and shape between the couple, bringing life into the once blank numbness of her servitude. Back in the servants' quarters, she would picture the board on the tattered walls and test out move sequences while lying on her pallet.
One fateful night, the master teasingly left a difficult game situation for the lady to solve. As the frustrated lady went for a bathroom break, Ilera toyed with the pieces and found the correct move. Just then, the lady returned and saw Ilera's solution. Enraged, she accused Ilera of trying to seduce the master with her smart aleckiness, gave her a hard slap and tortured her with a burning iron. Ilera felt like she was in a world of fiery torment, her body writhing and wracking in anguish and her mind reeling, trying to escape the torture she was being put through.
As Ilera cried out in pain, two identical knights whose armor glowed with a bluish energy suddenly appeared in the room to save her. Their footsteps were muffled by the pads that lined their boots, and their swords were made of a glossy black material, their sharp edges glistening in the dim light. The knights moved with grace and precision, their movements carefully calculated as they stepped forward to whisk away Ilera. The shocked aristocrat lady could only nod in fear as they admonished her on the girl's rights. Ilera thanked the knights and gestured for their names and addresses so that she could repay them someday.
"Hold up. There's something you should know," one of the knights suddenly spoke up. "We may look like two people, but in fact, we are actually just a single man, a professional bodyguard from the temporal cluster 91-02. We have traveled back in time using a mechanism that caused us to emerge as multiple individuals in order to ensure moa-antimoa balance across spacetime according to the understanding of physics in our time."
"You mean to say that you're actually just one person?" Ilera wondered to herself, completely bewildered as she read his lips. But as they spoke on, she could tell that they were telling the truth.
Her mind blown by this incredible feat, Ilera spent years studying and eventually figured out how to travel to the time zone referred to as temporal cluster 91-02. However, upon her arrival, she realized that a person traveling forward in time would turn up at their destination invisible. Not used to speaking, she could not verbalize her existence either, for fear of startling the bodyguard. Being touched by an invisible entity or seeing writing or the like appear from nowhere would also make meeting again a one-time acquaintance he did not plan to see anymore eerie.
So Ilera merely watched in silence as the bodyguard went about his everyday life, shielding him from danger without him knowing. Sometimes, it involved diverting human and cyborg enemies with noise in a different direction. Sometimes, it involved altering the trajectory of an optoelectronic dart. Sometimes, she blocked off blows with her thin body, taking the hit for him. At night, she traded her imaginary game board for an imaginary map of hazard zones in his next work day's mission, and her shabby pallet for cold pavements.
On one mission, attack from assassins was so intense Ilera frenetically but astutely pulled off a spectacular series of stunts she picked up in the cluster. Just when she defeated the last assassin, a container of glistening rejuvenation capsules overhead toppled over, the translucent pills of liquid blinking with icy golden hues on contact with her body. Touched by the shimmering silhouette of her fighting pose, the bodyguard was finally certain someone invisible had been protecting him. He expressed his thanks out loud and invited Ilera to dinner.
As Ilera sat down at the dinner table, she was surrounded by a sea of colors and shapes, each formed by light bouncing around in seemingly endless layers of reflections and refractions. She reached out to touch the shining crystals forming the table, which rippled outwards as ripples in a pond, bending the light and creating a brilliant display of optical phenomena. The bodyguard gently smiled. As she explored this new world of physics and light, she couldn't help but find herself utterly transfixed. Bokeh spots then danced around, sharpened into focus and arranged themselves into words: I have traversed grand and unforgettable ancient millennia / But now I only want a future with you / No matter your age or gender.
Blushing in her surprise, Ilera never considered this before but at least had the assurance to type out her story on an airbound screen for him now. However, when the bodyguard learned Ilera's true identity, he choked in disbelief.
"Is this what it is? I am a highly trained professional, yet I … (laughs) I rely on the assistance of a deaf peasant girl from an ignorant, oh okay, bygone era to protect myself and my job? And I cultivated feelings for a mockery of me!" He pointed at her with a fat finger on impulse.
Ilera was shaken as his mouth trembled in rage. Repaying a kind deed was all that was previously on her mind. Never had she been in love with him. In the end, her fellow exponents, no matter the field of practice, place or time, saw her only as a rival or potential object of desire. We forever voyage on Atlantic trade ships propelled by our threatened primitive interests and our lurking thirst for power, every one of us bound by each other's history, ravaged by rich seas of little. Another light shone. With determined steps, the former slave girl disappeared into the mists of time. The cosmos was now her board, and she would be its game architect.
Credits
Plot + scifi terminology: Human
Prose: Human + 3 AI services
Atlantic trade note: Human's musing on Liu Cixin's afterword in the English edition of The Three-Body Problem
Love is : Puuung’s illustration of love Puuung is a popular Korean illustrator with a large fan base and is best known for her ‘Love Is’ series. This series of illustrations, which is about the universal theme of ‘Love’, is regularly uploaded on NAVER’s Grafolio service. http://www.grafolio.com/puuung1
Since 2014, Puuung has uploaded her illustration series ‘Love Is’ every Tuesday and Thursday on Grafolio, a global platform provided by NAVER for single person creators, She already has a wide fan base that eagerly waits for her updated works. She has received great response from the Korean audience and greater response from those overseas.
A global funding was started through “Kickstarter”, the crowdfunding platform, in June 6, to introduce Puuung’s illustrations to more people around the world. Crowdfunding is a way of raising money via the social media or the internet. Kickstarter, which was launched in April of 2009, is based in the United States and is the world’s most famous crowdfunding platform. Now, let’s hear from the designer who has been responsible for the whole process, from planning the Kickstarter reward items to producing samples and coming up with the completed rewards.
Planning the Kickstarter Reward Items While planning rewards items for Puuung’s Kickstarter project, we had to come up with product designs that best displayed the artist’s illustrations. Overseas delivery was also an important factor, and therefore items also had to be compact and light enough so that it can be delivered to people across the world. After looking into various items in numerous price ranges, and upon final review with the artist herself, fabric posters, an art book and a postcard collection were selected as rewards for Puuung’s first Kickstarter funding project.
Launching the Kickstarter Page We needed a webpage that provided detailed information on the reward items in order to start the funding. To do so, we made samples of each reward in advance and launched our Kickstarter page!! https://www.kickstarter.com We waited with great anticipation until 8 o’clock in the morning in Korea, since the project campaign webpage was to be launched in US standard time. And to our great surprise, we achieved our goal of 10,000 dollars within just two hours from the launch of the funding and collected over 126,000 dollars, which was more than 1000% of our target amount, during the one month funding period. In addition, Puuung became the first Korean in Kickstarter to reach third place in the illustration section, which is an enormous feat. More than 1,800 backers from 70 countries, including English speaking countries of the United States and Canada, European nations including France, Italy, Germany, Belgium, and Asian countries of Singapore and Hong Kong, participated in the funding. Backers will be given rewards such as postcard collections, art book and posters that contain Puuung’s illustrations.
Producing Kickstarter Reward Items The unexpectedly large number of backers meant that we had to increase the number of items we had to produce. Since a limited quantity of rewards was being produced through funding, we wanted to provide backers who love Puuung’s work with high-quality rewards. We therefore placed extreme care into the paper, material and print quality of the rewards. [Fabric Posters] We especially went through many trials and errors while we were producing the sample for the fabric posters. Canvas fabric, the most commonly used material for fabric posters, was unable to provide us with satisfactory print quality. Multiple tests were done with various fabrics before we were able to find a fabric that gave us a print quality that most closely resembled the original illustration.
[Art Book] The art book is 116 pages and contains Puuung’s illustration as well as drawings of three couples that were selected from Puuung’s photo competition event. The background of the illustrations has a lot of detail and illustrations are shown from various angles, so the layout was arranged to show the illustration in its original proportions. The epilogue of the art book contains information fans were interested in, including the artist’s “thank you” message and photos of her workroom, sketches and of herself. Puuung, despite her busy schedule, also created an original cover for the art book and postcard collection that were to be given to Kickstarter backers. This special cover, which contains original and unique illustrations, is only available in the Kickstarter rewards!!
[Postcard Collection] The postcard collection consists of 100 illustrations and contains never-before released illustrations created by Puuung. Comments left by Kickstarter backers, such as “I want to give your illustrations to my son for his one year wedding anniversary” or “I bought your postcard collection because I wanted to use your work in our wedding invitation” show the backers expectation and affection towards Puuung’s art book.
100 copies of the art book contains Puuung’s autograph, which were each carefully signed by the artist herself. We look forward to more of Puuung’s heartwarming illustrations as she continues to draw about even the smallest happiness that is felt between people in love. :-)
When Mathematics Meets Politics in a Lunchbox
Every time a grisly murder ordered by his father, King Taejong, takes place, King Sejong despondently buries himself in magic squares—n x n matrices in which each number from 1 to n2 appears just once and the sum of numbers in each row, column and main diagonal (a value known as “magic constant“) is identical. But the troubling news would not leave him alone in this introductory portion of Tree…
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The Dark Sides of Education
Kazuo Ishiguro is no Michael Crichton. Lying at the heart of his dystopian world in the novel Never Let Me Go, where human clones are raised as organ donors, is not futuristic speculation about biotechnology, but a metaphor for how awareness of the finitude of life influences ordinary people’s treatment of love and friendship. What also intrigues him are the stories we manufacture and share among…
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These aren’t just awards; they’re reminders of how art can save lives, challenge perceptions, and bring beauty into our worlds.
🏆 Winner: Baby Reindeer (UK)
Care is not an invitation for possession. Self-hatred may get in the way of justice.
Raw. Unflinching. Devastating. Baby Reindeer doesn’t hold your hand—it grips your soul and refuses to let go. This Netflix original dives headfirst into the messy, painful realities of trauma and abuse. It’s a tough watch, but it just might change how you see the world.
🏆 Winner: Player 120 Cho Hyun-ju – Squid Game Season 2 (South Korea)
People are more than their circumstances.
Feminine yet fierce, tender but tough, Hyun-ju is a wake-up call to stop boxing people into stereotypes.
And her bond with Player 149 Jang Geum-ja? Absolute dynamite. This silver-haired grandma might not get gender identity, but her care for Hyun-ju speaks louder than any words. Together, they’re proof that humanity is messy, complicated, and full of surprises.
🏆 Winner: Hell / Hellbound Season 2 (South Korea)
Human hubris isn’t about defying divine forces—it’s pretending to know what we don’t.
If Season 1 got characters questioning their beliefs, Season 2 left them spiraling. This supernatural K-horror goes beyond the shock factor to grapple with big questions about belief, morality, and the consequences of our assumptions.
🏆 Winner: Eternal Night Star River / Cringey Official English Title (Mainland China)
This finale hit us with the ultimate truth bomb: You can only love others fully when you love yourself first. (But Ziqi’s real problem? It’s not some conventional “demon” identity—it’s believing he is one.) Emotional, uplifting, and just the right amount of bittersweet.
🏆 Winner: Avatar: The Last Airbender (US)
Cultural depth? Check. Epic fight scenes? Double-check.
Avatar draws inspiration from Inuit and various Asian traditions, blending them into an action-packed adventure that’s as visually stunning as it is culturally rich. For fans of intricate world-building and diverse fighting styles, this series is a must-watch.
🏆 Winner: Luxuriant Blossoms / Blossoms Shanghai (Mainland China and Hong Kong for cinematography)
Every frame of Blossoms Shanghai looks like it belongs in a film museum.
Wong Kar-wai’s signature style shines through, making this a feast for the eyes. And yes, the “director’s color-graded version” fixed those earlier hiccups, giving us the lush visuals we deserved.
🏆 Winner: What Comes After Love (South Korea and Japan for soundtrack)
Each track is like a perfume note—delicate, layered, and unforgettable.
The music isn't just background noise; it’s an essential experience, taking you to new places with every note.
Here’s the thing: there’s already a ton of online chatter about acting, directing, and writing. Why add to the noise? Awards in these areas just feel unnecessary—especially since acting, in particular, is so vulnerable to cultural differences. What’s more, assigning a “Best Drama” title is always subjective. Why should you impose your idea of what factors to include or exclude and how to weigh all the factors on everyone else?
On a personal level, Tibetan Sea Flower (or Adventure Behind The Bronze Door) is the drama that hit H hardest this year. Its breathtaking visuals, pulse-pounding directing, and sci-fi adventure kept H hooked. But let’s be honest—why should that matter to anyone else? Is it as thematically meaningful as some of the other dramas on this list? Probably not. Is its storytelling flawless? Not quite. The show repeats a certain trick, and when some big mysteries are revealed, it opts to tell rather than show.
For H, though, some of these choices make sense. Tibetan Sea Flower is part of the larger Lost Tomb franchise, and its place in this intricate, interconnected universe justifies a lot. It’s built for those of us who love Easter egg hunts and piecing together the big picture—something H finds thrilling. But is that enough for it to resonate universally? Not necessarily.
H's more level-headed pick for “Best Drama” would be any series recognized with the Potential Lifesaver Award—dramas that go beyond entertainment to deliver messages that genuinely matter. That's even if the drama conferred the honor were an artistic disaster. Is that something you can accept?
Finally, a word of caution: awards are often shaped by sampling errors. The dramas that get shortlisted—or even noticed—are frequently determined by marketing prowess and social media buzz, rather than their intrinsic quality or impact. Keep that in mind when appraising any list like this one.
📝Guest-authored by your cheery machine, with some edits, based on original version here. Hey, say you prefer the human grump's!
Sculptures of flamenco attacks inspired by Ban Ji-eum's moves and the show's spotlight on Min Bok-jin's sculpture.
An energy economy intubated, intercepted and interrogated by its multiverse escape game, TikTok-addicted black holes, go-getting cerebral vampires and healing rice ball spirits. Originally an extension of The Asian Drama Philosopher (A-Philosopher)’s Chair, a site examining literature, art and ideas featured in East Asian series.
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