Start Writing, No Matter What. The Water Does Not Flow Until The Faucet Is Turned On.

Harry Potter: Introduction To The Wizarding World

So, we all remember the iconic “You’re a wizard, Harry” line. But I was thinking what would have happened if it wasn’t Hagrid who showed up to talk to Harry. Now, I’m not talking about some Voldy turning up somehow shit. I’m talking about Minerva McGonagall.  I was reading a fic where it said that it was Minerva’s job to do that, if it ever happens. This may or may not have been true, but it still got me thinking. What if it was her?  Would Harry have actually been in Slytherin? Would he still believe that all Slytherins are bad? Or would not much change?

What do you think?

How to Keep an Edit Notebook

In my How to Edit a First Draft post, I mentioned something I call an edit notebook. Edit notebooks help you figure out what level of revisions your WIP requires, and exactly what is wrong with your manuscript. I use a 3-subject notebook per project, and a section per draft. An edit notebook is composed of a few parts:

1. Chapter-By-Chapter Notes

this is where you read through your manuscript and take notes on scenes

you usually want to note what happens in the chapter, how well it is written, and whether or not it is relevant to the plot

2. Overall Plot Notes

these also happen while you’re reading over your WIP

I usually made them in-between sections of chapters, but some I made while reading

these include things you’d like to add/change/remove from the plot

3. Analysis (Note: This is the most important part! The whole point of an edit notebook is to figure out how much editing you actually have to do. I sort these into different “levels.”)

Novel-Level: If all your notes say “delete scene,” “scrap,” “poorly written,” “unecessary” etc., then you’re probably looking at a full-on rewrite. Pull on your big-boy pants, grab a cup of coffee, and start re-plotting. 

Chapter-Level: If your notes are less about how bad the plot is and more about how bad the writing quality is, then your revisions should focus more on pacing, the order of your scenes, point of view, and rewriting/recrafting scenes to make them better. 

Line-Level: If the plot is flawless, there aren’t any plot holes or dull moments to be accounted for, just grammar/sentence structure problems, then this is when you print out your novel and go through it with a red pen. 

Of course, there are steps in-between, and sometimes you’ll spend several drafts in one level. But in general, this is what you should be looking for!

4. Redrafting (Especially important when making novel-level edits, which is probably what you’re dealing with when you have a first draft)

list possible scene ideas, brainstorm

try to write out your new plot, or at least the “tentpole” moments (the important events) 

from there, fill in what goes in-between the major events

remember, you can’t really know if it works or not until you actually write it!

5. Reoutlining

I like to make a summary sheet (below the cut), which ideally includes your major plot points, major flashbacks, subplots, symbols, conflicts, resolutions, and the story arc (as well as anything else you want to keep track of) 

plot out timelines/arcs for characters

basically do whatever you would normally do before you begin writing something new. Except, this isn’t new! You know what you’re doing and where you’re going this time. You got this.

Keep reading

Wish I had this years ago. Could’ve saved me my mental health. 

the suffering never ends

You know, just because you’re male doesn’t mean you can treat women like they don’t matter

10 Things I Hate About You (1999) dir. Gil Junger

My main problem as a writer is that I don’t write because “I have a story to tell”. I write because there are worlds I want to visit, ideas I want to explore, people I want to meet, conversations I want to hear, emotions that I want to express, and impossibilities I want to make real.

Which means that I still need a fucking plot.

How I Plan...

Building a story or series from the ground up with the help of templates!

This is how I approach planning. It covers what I do up to the point of opening a blank document and typing the first word.

Despite the tags this isn’t going to be ‘how to’ or advice based because who am I to tell you how to plan a story? This is only an option:) I engourage you to steal liberally but also question whether or not this method will work for you. If you don’t vibe with something, throw it out!

*you don’t have to answer these questions in order.

STRUCTURE LEVEL

Genre/Sub-genres: Picking a genre can help you find ideas/tropes faster. If you’ve written or read a book before you probably know the types of stories you like.

Age Category: This can help you find themes for you story. I like to sepate genre and cataegory since you can have a young adult or an adult romance.

Point Of View: Pick who will tell the story. Will there be more than one?

Tense: First, second or third person? Past or present?

Formatting: How will the story be split up? Through chapters or parts. I also like to put whether or not I’ll have a playlist, any quotes or epigraphs, prologues or epilogues, anything like that.

Tone: Will your story be serious, light hearted, sad, satirical...etc

Atmosphere/Color palette: I like to use this for when I’m writing description. Using specificities to elevate your writing can bring a world together and make it feel real.

Overall Concept: As vague as you’d like it to be! I usually give a few sentences.

Comparison Titles: I love to use comparison titles in the beginning when nothing has been solidified. It helps me know what came before me while still generating lots of inspiration.

SERIES LEVEL

Series Title: I usually base it off the first books title or a significant thing that links all the stories together.

Number of stories you want: I don’t always know how many stories will be in a series but it’s good to have a rough esimate of how many you’d like to write.

Number of stories realistically achievable: But we all know that sometimes an idea just isn’t sustainable for a 10 book series but works rather well as a trilogy instead.

Story that will kick off the series: All of your stories should fit a purpose in the series but this book will take the roll as a set-up (not to be confused as ‘filler’) for the rest of your series. It’s just something to have in mind when planning. This way you can plant twists and foreshadowing for the rest of the books.

Story that will close out the series: This story has big shoes to fill since you’ve probably been amping everything up to an explosive finish but at the end of the day it doesn’t matter if it’s bigger and better than what came before, it only matters if it’s a satisfying close to the whole series.

Summarize each story

Story # 1 summary ...you get the idea

Timeline: I like to know what year the series starts and when it will end. It might sound complicated but it’s so helpful. You don’t want a character to be pregnant or something for three books if the the stories have spanned more than nine months.

Spin-offs: You might find that you’ve got some ideas that don’t quite fit in with the others but they have some common elements. A spin-off is a cool way to explore those other ideas.

Naming conventions: I like to name my individual stories similar things to keep a theme. Example: J. R. Wards Black Dagger Brotherhood series has book titles with the word ‘Lover’ in them. There’s also naming conventions like the ACOTAR series by Sarah J. Maas that go “A Court of Blank and Blank”

SETTING LEVEL

Town/City/Village Name:

Area Description:

State/Province:

Country:

Common Weather:

Population:

Popular Figures:

Popular Locations:

Historical Background and Events:

What might the town be hiding to the average passer-by?

*You can definitely add more questions depending on your story. I write mostly within our world but I do like to create fictional towns.

CHARACTER LEVEL

Full Name:

Age:

Role:

Title/Rank/Occupation:

Wants:

Fears:

Misbelief:

Description/Faceclaim:

Personality Traits:

Zodiac Sign:

MBTI:

Theme Song:

Backstory:

Daily Life:

* Again, you can add any more questions you’d like to. These are just the ones I like to use to get going. Some of them are super vague, so in Daily Life I’ll put their living arrangement, transportation, pets or anything like that. I also add loads of stuff in their Description such as sexuality, how they dress, tattoos or scars, etc.

GROUP

*this is for anything like a fictional club, cult, company, evil organization or something like that.

Name:

Sub-divisions:

Type:

Founder:

History:

Current Leader:

Headquarters:

Current Operation:

Biggest Threat:

Biggest Allies:

Council Members (include roles):

Other Members (include roles):

STORY LEVEL

Working Title: Sometimes I use something concrete but if I need to get it out of the way I’ll put something like Project Black.

Estimated Length: Word or chapter count you’d like to achieve.

Order: Which book in the series is it?

Premise: I like to refer to this as the summary’s skeleton.

Tropes:

Subplot(s):

Story Summary:

Story Theme Song: This is just for fun but sometimes it really helps me capture what the whole story might be. I can also use it when I’m low on inspiration.

BEAT LEVEL

* I’d recommend googling an explanation of story beats or purchasing Blake Snyder or Jessica Brody’s book on Save The Cat beat sheet. But on the other hand, you don’t have to use a beat sheet at all. And if at any point during planning you feel like you’re ready to write then go for it!

Opening Image: An image that catapults your audience into the look and feel of your story

Theme Stated: Typically the theme of the story is communicated by someone fairly early on. This is dialogue spoken to the protagonist that he doesn’t quite grasp yet.

Set-Up: Show the protagonist in their “old world.” Let the audience know what the status quo is for them, then hint at the adventure that follows. This is also a time to introduce secondary characters.

Catalyst: Sometimes called the “inciting incident,” the catalyst is the event that disrupts your protagonist’s status quo. But they’re not ready to make the choice that catapults them into the story just yet.

Debate: This is where the protagonist has doubts about setting out on their perilous journey.

Break into Two: Inevitably, your protagonist will overcome their doubt and make a choice to set out on their adventure. This is the choice that sets the plot in motion. Your beat sheet will be filled with obstacles and twists resulting from making this choice from here on out.

B Story: A subplot ensues. Some would say that this is usually a romantic subplot.

Fun and Games: Plot structure requires a stretch where your protagonist wields their new power, and does cool stuff with it. I’ve also heard this referred to as the Promise of The Premise. So in Hunger Games by Susanne Collins this would be Katniss actually fighting in the games.

Midpoint: At some point, your protagonist will either get what they’re after... or not. But there will be consequences either way.

Bad Guys Close In: After your protagonist gets what they want, or not, there will be consequences. These forces will tighten their grasp, and throw the protagonist off balance.

All Is Lost: The dire circumstances your protagonist endures will lead to an inevitable loss. Which can be anything but it most commonly a character death.

Dark Night of the Soul: At this point of the Save the Cat beat sheet template, your protagonist has lost hope.

Break into Three: In plot structure, this is where your protagonist claws around in the darkness, only to find or remember something useful.

Finale: Treat the finale as the Act 3 summary. The Save the Cat beat sheet template is at its end, so it’s time for the protagonist to take on their foes. Armed with new tools and self-discoveries, the protagonist often synthesizes what they've learned (in Act 2) with values they've always had (Act 1).

Final Image: Along with the opening image, the final image creates the bookend that encapsulates the journey. This is the last thing the audience is left with.

*Closing thoughts: I have never used just a beat sheet because they don’t resonate with me for every story. I always add stuff or take away. I think there is a special beat missing between the Finale and Final image and that is where the characters slow down, take a breath and reflect on everything they’ve experienced. I also think Romance is the hardest genre to use the beat sheet with but I do a hybrid of the Beat Sheet from Save The Cat Writes A Novel! By Jessica Brody and Romancing the Beat by Gwen Hayes for the most part.

NOW JUST WRITE! :)

I hope this was helpful in some way or another! DM me or reply with any questions or for clarification. I have many more posts I’d like to create (on my process) but if you have any ideas or topics I should make posts on let me know.

Good luck and happy writing!

The Best Thing About Being Bi

Is that you can sing virtually any love song and not have to change the pronouns. 

obsessed with the idea of vampire snow white

Welcome to the future, where you don’t own anything and the stuff you rent stops working once your phone has no signal.