Some Dnd Backstory Ideas That Give Your Character A Reason To Leave Home That Isn’t “everyone In

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This is amaaaaazing advice

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Hello, I am writing a book where rather than having one main character/protagonist there is multiple characters that are sort of 'focused' on in third person. I have been looking into this for some time and many resources simply say 'your main character' and I struggle with what I am meant to do if I have more than one character. Am I searching for the wrong things here? Have I bitten off more than I can chew and do you have any resources for writing more than one MC?

Balancing multiple main characters...

The key to this balance is smooth transition and a balance of “screen time”. The story lines must be evenly balanced and prioritized in the actual text and the overall plot/conflict.

It’s definitely challenging to incorporate multiple focus characters and storylines, but it’s not impossible. It’s more time you’ll have to spend on character development, and then weaving the plots together in a way that feels balanced and purposeful. This can be as simple as utilizing format, and as complex as jumbling all of the separate conflicts and background noises together without pulling the reader in a million different directions. 

I have a few resources you may find helpful as you go along, but the overall piece of advice I have on this is to focus on an even distribution of time, energy, and care into each character and their own stories, and then make sure it all fits nicely by the end. 

How To Fit Character Development Into Your Story

Giving Characters Distinct Voices in Dialogue

Tips on Character Consistency

Resources For Plot Development

Guide To Plot Development

Tackling Subplots

Plot Structures

Pacing Appropriately

Tips on Introducing Backstory

What To Cut Out of Your Story

Tips on Balancing Development

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“these stars are for you, child.”

this is almost certainly a post ive made before but when a character's grief is so strong it fully alters the form of the narrative itself... moby dick being so much longer than strictly necessary because ishmael's grief made him stall for time in the telling of the tragedy... harrow the ninth being in second person because harrow was so grief-stricken that she herself was not capable of making narrative sense of the events of the novel and so someone else had to do it.... do u know what i mean

Relationships that have real king/lionheart energy, that whole “I have sworn myself wholly to you, I am your sword arm, I am your dog” to someone else’s “you are the one person in this world I can rely on, and I am both bolstered and burdened by your absolute faith in me” vibe, but it’s in circumstances that are like. so low stakes. Manger of a movie theater/the one usher who doesn’t smoke weed at work.

Ghibli houses